London-based contemporary art theorist Estere Kajema has written a beautiful essay about murals for Arterritory. I’m grateful that my work has been discussed and assessed among the works of Keith Haring, Jean-Michel Basquiat, Ai Weiwei, and Michael Craig-Martin.
There are two very important conclusions in this text. One is about my murals: “By putting images directly onto the walls, Lapschina is almost letting her figures grow free – dogs, magical sword-fighters, gnomes, and even flowers, mountains and trees. These red forms surround and occupy the space, and by doing so they somehow become the hosts, the owners, the ghosts who are attached to the architecture. The characters, which one might be fortunate enough to meet in the stairway of one of these buildings, seem to be participating in some unearthly and transformative performance, completely and utterly revolutionizing the space they are in.”
The other is about the qualities of walls in comparison with relocatable matter: “It is important to understand the crucial difference between a painting or a drawing on a wall, and one done on a piece of paper, canvas, cardboard, or any other surface that can be dismounted or relocated. A message that is conveyed on a wall automatically achieves a different status, even if it happens on a subconscious level. A space that is antipodal to a white cube is a story; it becomes a home, a shelter. A wall that has been transformed by the artist him- or herself is a story and extension of his or her studio work. A voice from beyond, a hint that comes directly from the creator. A thing to remember is that sometimes, walls can tell more than the audience expects them to.”