It’s a piece of architecture. It’s a sculpture. It’s a place where people gather, and talk and party, and even wait for the next bus. It’s highly sophisticated infrastructure for a multimodal transportation system. It’s “The Innocent”.
I’ve created this sculpture series for the State of Carinthia (design competition, 1st prize). First installations – in villages, towns and cities, and, importantly, on the verges of common country roads – might arrive as early as 2019, and there’s a good chance that a special edition in honour of Peter Handke will make it into the wild!
When FDR, the biennial art project of the State of Upper Austria, commissioned me to do a series of six murals themed “Uninvited Guests” along Marchtrenk, I carefully shopped for benevolent walls. So I got this grainy-textured, worn-out façade at a crossroads in the very center of the town, which would become shelter for a work of particularly ephemeral character. Lit by the cars’ headlights by night, the scene depicted in the mural became vivid: For a fleeting moment, drivers could see a group of people, burdened with their personal effects, hiking across the village. Only a split second later, and they had already disappeared into the dark again. Technique: tape.
In summertime, Austrians prefer the sidewalk café to have lunch or meet for a coffee. One of these cosy restaurants in the heart of Vienna is Salon Wichtig, where the owner decided to top the al fresco experience with commissions of art in public spaces.
So let me share the cooking instructions with you: The shiny yellow alu sheets are Signicolor by Novelis. The bright-coloured heavy-duty duct tape is Pattex by Henkel. And the words and the composition are genuine Lena Lapschina.
It took me several white nights to draw this little soulmate. A commission by Rakvere Rohuaia Kindergarten and the Kilomeeter Skulptuuri art-in-public-spaces programme, the mural is about eighteen meters in width and seven meters in height.