A “Thoughtbook”, full of inspiration

Lapschina_The_Thoughtbook

Thanks to my wonderful supporters, I’m ready to announce the arrival of a new artist’s book. I’ve called it a “Thoughtbook”. It’s full of inspiration. With plenty of empty pages, it invites to draw and to write down thoughts of all kinds. I’ve carefully “curated” fourteen of my favorite works into this book, and two big essays by curators whom I really admire.

“Thoughtbook” appears in a signed and numbered limited edition of 500.

A book launch cocktail in Vienna is scheduled for January 12, 6–9 pm. Location: the brand-new Graetzlhotel at Belvederegasse 26 (directions: here). Menu: Rauch Juicebar Yoga Relax, Stoli Mule, Sizzling Spices Cinnamon Kisses, De Beukelaer Creamy Cookies Bakery, Ethical Coffee, and more…

Lena Lapschina: “Thoughtbook”. 168 pages, 14.8 x 21 cm. With essays by Cathérine Hug and Matt Bowman. Includes 14 works by Lena Lapschina: Money Love, Void, Art is …, Paradise total, Do You Really Need It?, Art-Free Territory, Und plötzlich war es wieder da, C-Level, Stuff, Curators’ Water, Propaganda, Girls wanted, Yes/No, Back On Tuesday.

Biennale – yet again

It is a mosaic, it is a waymark, it is a tape painting, it is digital equipment – my piece for the Mdina Biennale, on the historic ground of Malta. When it catches sight of a smartphone, it comes to life, immerses visitors in an extramundane environment… To give it a try, go to see it on site: The mural is prominently located at the grand staircase of the Cathedral Museum, Mdina, Malta.

Of battery-powered chainsaws, Franz Kafka, curating, and the Art-Free Territory

I’ve sent an image scientist through my latest exhib in Austria, “Home Alone”. Here is what she brought back from the tour:

“Home Alone” is a fifty meter wide media installation, staged at the “Ausstellungsbrücke” (english: “Exhibition Bridge”) in Sankt Pölten, Lower Austria. It involves a “fitness zone”, a “living room”, a “museum”, and a “bar”. Each of these areas provide different levels of involvement to the visitors.

The show starts with a huge wall painting, depicting the exhibition’s intro text and a dozen company logos. Next to it resides the participatory video work “Get Fit With Dr. Lapschina”, which asks the visitors to work out. Stuff for engaging in the vigorous physical exercises is provided – as well as a bunch of museum benches, for people who prefer the lean-back mode.

The living room part of “Home Alone” has a comfy sofa suite, a large screen, several framed pictures on the walls, three lightboxes, a couple of books and catalogues on a coffee table, a hammock, and a bottle of wine to offer. The pictures don’t show anything though. They are only reminders. Also these aren’t regular lightboxes. Their role is to provide a distinct atmosphere to the place. And while the TV presents a 3′ loop version of Lena Lapschina’s video piece “Runtime”, it’s just the camo jacket for the smart home components everywhere in the room.

So, why not spend some time in the museum? Meticulously arranged vitrines give an impression of life in Lower Austria, in Manhattan or in Brooklyn, or elsewhere on this planet. It’s about dreams and nightmares, art and artists, battery-powered chainsaws and Franz Kafka, curating and the “Art-Free Territory”. It’s not immediately clear if the assemblage should be entertaining or disturbing. Like all museum stuff, in the first place it is educating, and that is what visitors find out during extended conversations in the bar and kitchen areas built into the flow of the “Home Alone” installation.

Runtime

“Runtime” is a two-channel video installation with sound. It oscillates between the topics of time and tension, energy and inner strength. The two projections, which are placed at right angles, seem to be influenced by context. Watched in the daytime or in the nighttime, tonalities vary. I’ve been installing “Runtime” for the first time in the course of a private view in Kunsthalle Kleinbasel (Switzerland). There’s also a limited photo series of “Runtime” available.

“Waymarks & Dialogues” at Mardin Bienali

“İşaretler ve Diyaloglar” (“Waymarks & Dialogues”) is a situation-specific work for the 3rd Biennial in Mardin. Here, on the verge of Turkey, in the northernmost part of Mesopotamia, I’ve met with people and listened to conversations in order to record the most contemporary words in the various languages of Mardin. These words I’ve mounted in the medieval part of the city, in the narrow 1. Cadde (1st Lane), starting at the massive walls of Mor Efrem Manastırı. Intertwined with a series of lightboxes, which hide in the tiny workshops along 1. Cadde, a mythological footpath is formed. Visitors can discover both their history – and their destination.

The drive-thru exhibit

After the drive-through car wash and the drive-through restaurant, it’s time for the drive-through exhibition. (The video mini-series “Words” is ready for streaming.)

View it in HD!

Neon sculpture “Yes/No” by Lena Lapschina to be sold at Paddle8 auction

Lapschina_Paddle8_YESNO

Paddle8 has selected “Yes/No” for their House Sale 22 auction. Please feel encouraged to sign up with facebook or regular email and “follow the artist”, “watch the work”, share the word with your contacts and/or “place a bid”.