“Runtime” is a two-channel video installation with sound. It oscillates between the topics of time and tension, energy and inner strength. The two projections, which are placed at right angles, seem to be influenced by context. Watched in the daytime or in the nighttime, tonalities vary. I’ve been installing “Runtime” for the first time in the course of a private view in Kunsthalle Kleinbasel (Switzerland). There’s also a limited photo series of “Runtime” available.
“İşaretler ve Diyaloglar” (“Waymarks & Dialogues”) is a situation-specific work for the 3rd Biennial in Mardin. Here, on the verge of Turkey, in the northernmost part of Mesopotamia, I’ve met with people and listened to conversations in order to record the most contemporary words in the various languages of Mardin. These words I’ve mounted in the medieval part of the city, in the narrow 1. Cadde (1st Lane), starting at the massive walls of Mor Efrem Manastırı. Intertwined with a series of lightboxes, which hide in the tiny workshops along 1. Cadde, a mythological footpath is formed. Visitors can discover both their history – and their destination.
Paddle8 has selected “Yes/No” for their House Sale 22 auction. Please feel encouraged to sign up with facebook or regular email and “follow the artist”, “watch the work”, share the word with your contacts and/or “place a bid”.
Murals tend to be huge, and artists like to do magnificent things. But not every patron of the arts has got these big walls. So I decided to develop murals which fit into c-suites and – even more important – into the private salon.
Today I want to share a new work which is private and public at the same time: “Untitled (No. 407)”. It’s a tape drawing commissioned by Arlberg Hospiz Hotel in Tyrol. To enjoy it for some nights, just ask for suite no. 407!
2015 started with a totally fresh work, and it started in New York City. Here’s the leaflet:
“Lena Lapschina presents ‘Yes/No,’ an installation for Open Source Gallery.
In Lapschina’s work, communication is key. Lapschina is well-known for her systematic and methodical investigation into social issues through the exploration of malfunctions and opposing factors. She explores not only the outcomes of choices, but what opportunities are being missed by having to choose. ‘Yes/No’ is a spatial installation of two light objects produced from neon. Illuminated against a stark background and obscured by the particles emitted from a fog machine, two choices are clear with little in between but a limbo: ‘Yes’ and ‘No.’
Visitors are welcomed into a space where they may move freely between dualities without reaching a decision. However, while the viewer is free to choose, one may not have the choices of ‘Yes’ and ‘No’ simultaneously. On one side there is the affirmative of ‘Yes,’ but by simply turning around, it now becomes ‘No.’ In ‘Yes/No,’ opposing ideas do not clash, but still remain on opposite sides of the coin.”
During Vienna Art Week, I had a mini-show in a twelve-room apartment aka the Viennese studio. Old friends, like my neon sign “Girls wanted”, the pizza-boxed video series “17 Sekunden Kunst”, the Wittmann-manufactured cushions “Art-Free Territory” and the Mercedes-Benz tribute photo series “Communication”, joined forces with brand new stuff, like the installation “Curators’ Water”, the light-boxed photo series “Some things that long time do not exist” (Duratrans, light-box, crank), the xerography-inspired, Teheran-produced work “Role Models” (edition: 1), the photographed alphabet “Trees and poets, citified” (Dibond) and the post-future of painting series “Stuff”. Visitors also got a chance to preview the video series “Message to the World” while hanging out at the bar, and to engage in the participatory media installation “Get Fit With Dr. Lapschina”.
N.B.: “Thank you” to everyone who made this exhib possible, and especially to Mario Codognato for more than an hour of questions and answers.